100m FOH Digital Multi 12 Way VDM M-F + 4x TourCat + 32a 1ph

12 Way VDM Detachable Long Stage Box with Thru

12 Way VDM Detachable Stage Box

12 Way VDM Detachable Stage Box Tailset

12 Way VDM Detachable Stage Box Tailset [MALE ONLY]

12 Way VDM Detachable Stage Box with Thru

12 Way VDM Tailset 12x XLRM 5m (for 60ch split rack)

20m 10 Way XLR Multicore Stage Snake

20m 12 Way XLR Multicore Stage Snake

3.5mm Mini Jack – Twin Mono Jack

3.5mm Mini Jack – Twin Phono (Stereo)

3.5mm Mini Jack – Twin XLRF (Stereo) Adaptor

3.5mm Mini Jack – Twin XLRM (Stereo) Adaptor

30m 32/8 Multicore

3pin XLR 4-way Loom 5m

3pin XLR 8-way Loom 3m

3pin XLR 8-Way Loom 5m

3pin XLR Audio Cable (on Drum) 100m

3pin XLR Audio Cable 1.5m

3pin XLR Audio Cable 10m

3pin XLR Audio Cable 2-way Twin Loom On Drum 100m

3pin XLR Audio Cable 20m

3pin XLR Audio Cable 3m

3pin XLR Audio Cable 40m

3pin XLR Audio Cable 50m

3pin XLR Audio Cable 5m

48 Way VDM Tailset 48x XLRM 5m (for 60ch split rack)

50m 32/8 Multicore Complete

50m Cross Stage Digital Multi 12 Way VDM M-F + 4xTourCat + 32a 3ph

50m Twin XLR Cable (on Drum)

6.35mm Balanced Jack – XLRM Adaptor Cable 3m

6.35mm Jack – Jack Unbalanced/Mono Audio Cable 3m

6.35mm Jack – Jack Unbalanced/Mono Audio Cable 5m

6.35mm Jack (Stereo) Headphone Extension Cable 5m

60 Channel Split Rack

Adastra Paging Gooseneck Microphone with Chime Base Station

Compact condenser mic ideal for vocals, instruments, and live use. Kit includes windscreen, carry case, presence-boost capsule, and interchangeable pattern capsule%E2%80%94versatile for studio or fieldwork.

The AKG C1000%E2%80%AFS Microphone Kit is a robust small-diaphragm condenser microphone system designed for studio, stage, and location recording. It delivers clear, articulated audio across vocals, acoustic instruments, percussion, and even broadcast applications. With dual powering%E2%80%94it runs on phantom power (9%E2%80%9352%E2%80%AFV) or two AA batteries%E2%80%94it%E2%80%99s perfect for mobile use. It features switchable cardioid and hypercardioid patterns, includes a presence boost capsule, low-cut filter, and a -10%E2%80%AFdB pad for handling loud sources. The kit bundles the mic, windscreen, stand adapter, presence-boost and pattern converters, and a hard carry case, making it a versatile, travel-friendly rig ready for any recording scenario.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

High-performance small diaphragm condenser mic, perfect for cymbals, acoustic instruments, and drum overheads%E2%80%94bright, clear, and lightweight.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

Modular small-diaphragm condenser with cardioid capsule%E2%80%94transparent, focused sound ideal for instruments, ensembles, and live recording.

The AKG SE300%E2%80%AFB + CK91 pairs the SE300B preamp with a CK91 cardioid capsule, part of AKG%E2%80%99s Blue Line series. This modular design provides crisp, natural audio with reliable off-axis rejection via a consistent cardioid polar pattern. Operating from 9%E2%80%9352%E2%80%AFV phantom, the SE300%E2%80%AFB includes a switchable %E2%80%9310%E2%80%AFdB pad and bass-cut filter, maintaining low noise (17%E2%80%AFdB-A) and robust performance. Lightweight and rugged, the system offers expandable flexibility by swapping capsules for various recording needs.

Modular mic system with hypercardioid capsule – designed for focused, precise recording with excellent isolation.

The AKG SE300B + CK93 is a Blue Line modular mic combining the SE300B preamp with the CK93 hypercardioid capsule. It features tight directivity and excellent ambient rejection%E2%80%94great for dialogue, solo instruments, or broadcast. The capsule offers smooth frequency response.

Modular shotgun mic system%E2%80%94supercardioid capsule for long-range, directional audio capture in film, broadcast, and live environments.

The AKG SE300%E2%80%AFB + CK98 combines the SE300B preamp with the CK98 shotgun capsule, delivering tight supercardioid (shotgun) directivity and low self-noise%E2%80%94perfect for boom, ENG, and stage use. Operating from 9%E2%80%9352%E2%80%AFV phantom power, the preamp supports a %E2%80%9310%E2%80%AFdB pad and bass-cut filter to manage SPL and rumble. The quick-lock Modulock? bayonet ensures fast capsule swaps, making the system agile and adaptable for precision audio capture.

Altair WBP200 Wireless Intercom Belt Pack

Altair WBS200 Wireless Intercom Base Station

Altair WBS200HD Digital Wireless Intercom Base Station

Audio Feeder Loom (4x3pin XLR + 2xTourcat + 1x32a3ph) 20m

Audio Technica AT857AMLx Lectern Gooseneck Kit

The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM diaphragm for natural, accurate sound reproduction.
The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets, and brass. Transformerless design, low impedance, and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.

The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction.
Lightweight, compact, and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6 19s transformerless design, low impedance, and balanced output allow for interference-free performance.
Designed, machined, assembled, and tested by AUDIX in the USA.

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio, and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars, and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact, and easy to position. With a wide frequency response of 50 Hz 13 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
Designed, assembled, and tested by AUDIX in the USA.

Authentic 1950’s Style Mic

Bare wire – NL4 Speakon Adaptor

With the ULTRA-DI DI100, you can rest assured that your sound source will reach the console balanced and noise-free. The ultra-versatile DI100 active DI (Direct Injection) box gives you unparalleled functionality, durability and sound at a truly remarkable price. Put the ULTRA-DI DI100 in your signal chain today and discover the authentic sound of your instrument.

Plug into the DI100 19s balanced ? “” TRS or XLR Input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp 19s speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a ? “” LINK jack to send your signal to an on-stage amplifier. The DI100 is equipped to handle 1Chot 1D signals, thanks to its switchable built-in attenuation pad for input levels of up to +50 dB. Also included is a superior ground-lift switch to eliminate ground loop issues. The DI100 also features our highly-acclaimed OT-1 output transformer for the most pristine signal transfer.

An essential tool for every stage and studio, the ULTRA-DI DI100 is wrapped in a rugged, road-proof aluminum case with stackable rubber corners 13 and delivers the exceptional sound your music deserves! Find out how the ultra-affordable DI100 can improve instantly your sound at your nearest BEHRINGER dealer 13 or get yours online today.

The Beyerdynamic MPC65 VC is a boundary microphone for use with discussion systems, telephone and video conferencing, sound reinforcement, churches, and situations where multiple microphones need to be open (on) simultaneously.

The Beyerdynamic GST Short Microphone Stand is more heavy duty than your average microphone boom stand. The stand is adjustable from 340mm to 600mm.

The Beyerdynamic GST500 is a tall microphone stand with telescopic boom, 3/8″” thread in a black finish.

Solid and rugged microphone stand with a compact die-cast zinc base. Wide footrest provides more stability and reliability.

Microphone stand (90-165 cm) with telescopic boom (42-72 cm), 3/8″” thread, black

The DT 100 are fully enclosed dynamic studio headphones with
excellent ambient noise attenuation. They are ideal for use in
broadcasting, film and recording studios.
The DT 100 is a double-sided headphone.
The headband and earphone cushioning has been carefully
designed for maximum comfort during long periods of listening.
The connecting cables to the ear monitors run safely in the headband and the main connecting cable is terminated on one side
with a multi-pin connector.

The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use.

The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look.

Input connectors are both 1/4″” jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.

The arched case allows cables to run back underneath the unit from the end for neat cable management.

Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems.

The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars.

Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources.

Cast Base Short Table top Stand

Clear-Com Freespeak II 4 Way Wireless Kit

Clear-Com Freespeak II Wireless Base Station

Clear-Com Freespeak II Wireless Beltpack 1.9GHz

The MS-702 is a 1RU two-channel main station with programmable front panel buttons, individual channel short-circuit protection, individual channel volume control, and a regulated fail-safe power supply.

Clear-Com PS-702 2ch Wired Intercom Power Supply

Clear-Com RS-703 2ch Wired Beltpack

The B4-SUB is an actively driven cardioid subwoofer powered by a single amplifier channel. It houses two long excursion neodymium drivers in an integrated cardioid setup: a 15″ driver in a bass-reflex design facing to the front and a 12″ driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that greatly reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction. The B4 subwoofer can only be used in a ground stacked setup. The B4-SUB cabinet is constructed from marine plywood, has an impact and weather resistant paint finish and a pair of handles. An M20 threaded flange in the top panel accepts the d and b Loudspeaker stand winder M20. The loudspeaker cabinet is also available in Special Colour (SC) options.

The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d and b amplifiers, containing configurations for all d and b loudspeakers except the J-Series and the M2 monitor, plus a linear mode. The signal delay capability enables user definable settings of up to 10 s (= 3440 m/11286 ft), which can be applied independently to each channel. The same applies to the two 16-band equalizers, providing optional parametric, asymmetric, shelving or notch filtering. The D20 incorporates a colour TFT touchscreen, offering quick access to the menu structure, while the rotary encoder can be used for fine adjustment. The front panel and the integrated touchscreen are tilted up for easy operation when the amplifier is below eye level. The equal ratio of signal input to amplifier output channels increases application flexibility particularly for monitor, frontfill or effect channel use. The LoadMatch function integrated within the D20 amplifier electrically compensates for the properties of loudspeaker cable used. The D20 incorporates Class D amplifiers utilizing a power supply with active Power Factor Correction (PFC) suitable for mains voltages 100 V – 240 V, 50 – 60 Hz and maintains a stable output when used with weak or unstable mains supplies. An NL8 provides all outputs on a single connector for loudspeaker multicores. Dual channel mode is driven through four individual NL4 connectors, while Mix TOP/SUB and 2-Way Active mode output configurations for applicable d and b loudspeakers are available via two central NL4 connectors. etherCON and RJ 45 connectors enable access to the d and b Remote network through OCA/AES70 via Ethernet and through CAN-Bus respectively.

d&b D20 Dual Rack

d&b D20 Touring Rack

The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d and b loudspeakers and a linear mode; exceptions are 2-Way Active, A-Series, J-Series, SL-Series, V-Series, B22-SUB and M2. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier. The D6 incorporates Class D amplifiers utilizing a switch mode power supply with active Power Factor Correction (PFC), suitable for mains voltages 100 V/120 V/200 V/ 230 V, 50 – 60 Hz and maintains a stable and increased output when used with weak or unstable mains supplies. It is supplied with two NL4 loudspeaker output connectors. RJ 45 connectors enable access to the Remote network via CAN-Bus. d and b System check verifies that the system performs within a predefined condition, whilst d and b Load monitoring enables an automatic and continuous impedance monitoring. Both can determine the status of an LF or HF driver in systems with multiple elements, even if these are crossed over passively.

The D80 Touring racks are designed as fully equipped and prewired system racks, providing mains power distribution, connector interfaces and all internal cabling for either three or six D80 amplifiers.

The 3 x D80 Touring rack is available with either a 32 A CEE mains power connector with a 32 A mains link or one 30 A NEMA mains socket, and a loudspeaker connector panel with three NL8 (4 channel) and one LKA25 (12 channel) loudspeaker outputs. Electrically interlocked auxiliary mains outputs (powerCON1 16 A sockets) are provided to power the DS10 and other low current devices such as laptops.

The E12X-SUB is a compact, lightweight, high performance subwoofer for use with d and b E-Series loudspeakers. The built in passive crossover network allows the E12X-SUB to be operated in parallel to the E8 loudspeaker on the same amplifier channel, greatly extending the low frequency headroom and bandwidth of the systems. Alternatively it can be operated actively driven by its own amplifier channel without the need for any changes to the subwoofer. In Active mode the E12X-SUB can be used to supplement any of the E-Series cabinets. The E12X-SUB cabinet is constructed from marine plywood and has an impact resistant finish, a handle and an M20 threaded flange on the top to accept the d and b Loudspeaker stand winder M20. The loudspeaker cabinet is also available in Special Color (SC) and Weather Resistant (WR) options. The Weather Resistant option provides an IP55 rating, and enables operation of loudspeakers in changing ambient conditions.

d&b E6 Horizontal Bracket Z5378

The E6 is a relatively small high performance multipurpose loudspeaker, employing an integrated coaxial driver. The horn with its 100deg x 55deg dispersion pattern can easily be rotated through 90deg providing a 55deg x 100deg pattern without the use of tools. This enables deployment of the loudspeaker either vertically or horizontally. Its distinctive cabinet design and extensive range of accessories allow easy deployment in almost any situation, including stage monitoring. It provides a very compact reinforcement solution that inspires through its sound quality and is also perfectly compatible with the larger E8 and E12 loudspeakers. With the addition of an E12X subwoofer or any other E-Series subwoofer it can also reproduce high level music program. The E6 cabinet has an impact resistant paint finish incorporating a handle. The loudspeaker cabinet is also available in Special Color (SC) and Weather Resistant (WR) options. The Weather Resistant option provides an IP54 rating, and enables operation of loudspeakers in changing ambient conditions. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

The Z5351 E8 Horizontal bracket enables E8 loudspeaker cabinets to
be mounted and set to different horizontal or vertical angles.

The E8 is a high performance 2-way multipurpose loudspeaker, employing an integrated coaxial driver. The E8 can be used for speech and music applications as a stand-alone full range system, or incorporated into larger distributed sound reinforcement situations. With the addition of an E12X subwoofer in passive or active mode or any other E-Series subwoofer, it can also easily reproduce higher level music program. The multifaceted shape of the enclosure allows use either in an upright or horizontal orientation as well as deployment as a stage monitor. The 90deg x 50deg dispersion pattern (h x v) of the horn is easily rotatable through 90deg to provide a 50deg x 90deg dispersion pattern. The E8 cabinet is constructed from polyurethane integral hard foam with an impact resistant paint finish incorporating a handle and a socket to accept loudspeaker stands. The loudspeaker cabinet is also available in Special Color (SC) and Weather Resistant (WR) options. The Weather Resistant option provides an IP54 rating, and enables operation of loudspeakers in changing ambient conditions. Both options are supplied with metal plates in the specified colour covering the handle recesses and loudspeaker stand socket.

Requires biamp drive from D80 Amp only

The M4 is a 2-way high performance stage monitor employing an integrated 15 1D LF and 1.3 1D exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50deg x 70deg (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage. The M4 can also be operated in 2-Way Active mode. When the cabinet is used in an upright position the M4 serves as a powerful PA loudspeaker with a 70deg x 50deg dispersion suitable for a variety of applications. For dedicated installation applications the dispersion characteristics of the M4 driver assembly can be rotated in 45deg increments. The M4 cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish, M10 threaded inserts and a socket to accept loudspeaker stands. The front of the loudspeaker cabinet is protected by a rigid metal grill backed with an acoustically transparent foam. Two runners recessed in the bottom panel protect the cabinet from scratching and prevents movement.

MAX is a 2-way full range loudspeaker with remarkable vocal presence, clarity and high feedback stability. Due to its coaxial design it is an extremely compact low height cabinet with two set-up angles. MAX can be used either as a stage monitor, as a downfill in flown applications or together with the C7-SUB as a flexible PA system. The MAX cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish and M10 threaded inserts. A socket to accept loudspeaker stands, ratchet strap guide plates and an optional version with MAN CF4 stud plates complete the multiple application options for MAX.

The Rota clamp must only be used to suspend d and b loudspeaker
cabinets from a single suspension point in connection with
applicable d and b rigging accessories. The Rota clamp allows the
load to be attached to overhead bars or truss with a tube diameter
of up to 50 mm (2inch).

The Z5373T Cluster bracket allows up to three T10 loudspeaker
cabinets to be mounted and set to different horizontal or vertical angles.
For this purpose two M8 threaded inserts at the d and b standard spacing
of 115 mm (4.5inch) together with a center M10 thread are integrated in
the tie bar of the bracket.

The maximum permitted working load of the bracket is 33 kg (73 lb)
(according to BGV C1) which corresponds to the weight of a maximum
of three T10 loudspeakers.

The Z5372 T Horizontal bracket must only be used in conjunction with
d and b T10 loudspeakers

d&b T Series Line Array Flying Frame Z5370

The T10 is a passive 2-way loudspeaker housing two 6.5″ drivers positioned in a dipolar arrangement and a 1.4″ HF compression driver and a passive crossover network. The T10 can be used both as a line array and as a high directivity point source loudspeaker. The HF driver is fitted to a unique waveguide horn producing vertical line source directivity with a 90deg horizontal pattern that is maintained down to approximately 600 Hz. An acoustic lens placed in front of the horn widens horizontal dispersion to 105deg, rotation of the horn by 90deg relative to this produces an accurate point source dispersion, transforming a vertically oriented T10 into a stand-alone full range loudspeaker with 90deg horizontal and 35deg vertical directivity pattern. The T10 cabinet is constructed from polyurethane integral hard foam, incorporates integrated line array rigging hardware and has an impact resistant finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, and two NL4 connectors wired in parallel are mounted on the rear panel.

The Z5385 V Flying adapter must only be used in conjunction with
the d and b V-Series V8 and V12 loudspeakers

d&b V Series Line Array Flying Frame Z5380

The Stack adapter is attached to the rear rigging strand of the V-SUB cabinet.

The V-SUB is an actively driven high performance cardioid subwoofer powered by a single amplifier channel. The V-SUB features integrated rigging equipment, and shares the same acoustical and visual design as the V-GSUB, which is intended for ground stacked applications only. It houses two long excursion neodymium drivers, an 18″” driver in a bass-reflex design facing to the front and a 12″” driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction.

The V subwoofer can be used to supplement V8 and V12 loudspeakers in various combinations, ground stacked or flown, either integrated on top of a V8 / V12 array or as a separate column.

The V-SUB cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates two handles, whilst the top panel has an M20 high stand flange inserted.

The V12 is a 3-way passive design housing 2 x 10inch LF drivers, one hornloaded 8inch MF driver and two 1.4inch exit HF compression drivers with 2.5inch voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 120deg horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V12 loudspeakers or combined with V8s and / or with V-SUBs. The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet.

The 3-way passive V7P loudspeaker features two 10 1C drivers in a dipole arrangement with a horn loaded 8 1C MF driver and a 1.4 1C compression driver mounted onto a rotatable CD horn. The innovative horn design for the centrally mounted 8 1C MF driver produces a remarkable sensitivity resulting in an exceptional performance in the vocal range. An advanced bass-reflex and venting design delivers an extended LF output with full bandwidth capabilities. All components are arranged symmetrically around the centre axis of the cabinet to produce a perfect symmetrical dispersion pattern. Due to the dipolar arrangement of the LF drivers, broadband dispersion control is maintained down to approximately 350 Hz in the same plane as the dipole. This point source, high performance loudspeaker offers 75deg horizontal directivity matched with a vertical dispersion of 40deg; the horn can be rotated by 90deg to enable horizontal orientation. The V7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the V-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood, and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill. The V7P cabinet incorporates a pair of handles. M10 threaded inserts are provided for attaching d and b rigging hardware. Additionally, three further M10 sockets accept the 8mm load pin to expand the mounting options.

The V8 is a 3-way passive design housing 2 x 10inch LF drivers, one hornloaded 8inch MF driver and two 1.4inch exit HF compression drivers with 2.5inch voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 80deg horizontal constant directivity dispersion control nominally being maintained down to 250 Hz. The mechanical and acoustical design enables flown vertical arrays of up to twenty four loudspeakers. It can be used in columns of purely V8 loudspeakers or combined with V12s and / or with V-SUBs. The V8 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. Each side panel incorporates a handle, while two additional recessed grips are provided at the rear bottom of the cabinet.

The d and b M20 heavy-duty steel tubing speaker stands with variable height-adjustment by hand crank. Extra safety is provided by a locking screw and bolt. D and B M20 windup speaker stands are for use with d and b Subs and Speakers

The Z5396 must only be used for ground stacked applications in
connection with d and b Y-Series Y8 and Y12 cabinets
The Base plate is not intended for flown use.
Note: Please note that the Base plate is not compatible/
applicable in connection with d and b Yi8 and Yi12 cabinets.

Limitations
The Base plate is designed to support a maximum of 3 x Y-TOP
cabinets when used directly on the ground.

A maximum of 6 x Y-TOP cabinets are allowed when using the
Base plate on top of an applicable d and b subwoofer, such as the
Y-SUB.

d&b Y Series Line Array Flying Frame Z5390 Hire

Designed to fly vertical arrays of d&b Y8 Line Array cabinets – and also can be used to fly the d&b Y-SUB too. The d&b Y8 Flying Frame Z5390 is a tour ready Line Array fly solution ready to hire. Designed for single or two point rigging, the frame can also be used with the Rotaclamp. Perfect for quick onsite deployment, users can fit the fly frame whilst the cabinets are still in the tour cart, making this a great tour solution.

Users must use Y-Series rigging components (Flying frame, Load adapter, Locking pins) only with d&b Y-Series loudspeakers.

Users can use the Z5390 Y Flying frame to suspend a total system weight of 540 kg SWL. This can consist of up to 24 Y-TOP cabinets or a SUB column with a maximum of 10 Y-SUB cabinets.

Rigging components enable users to fly arrays of up to 10 Y-TOP cabinets, with a total system weight of 220 kg, in any vertical splay angle configuration between the cabinets. For any other array configuration, users must check the load conditions within the array using the d&b ArrayCalc simulation software.

IPS d&b Y8 Flying Frame Z5390 Kit contents

Supplied from IPS in a two way flight case, each frame comes with the following components:

4x 1.5t Shackle

2x Y Load Adaptor with 2x 10mm Locking Pin

Y Load Adaptor Rota Clamp with 2x 10mm Locking Pin

2x Front Link

2x 07mm Locking Pins

Splay Link

Cable Pick O Ring

2x 08mm Locking Pins

Hoist Connector Chain Z5391

Safety Chain Set Z5392

Cable Choke – Line Array (for cable management)

2x PA Rope (for brailing/steering array)

d&b Rota Clamp Z5147

Safety Bond 150KG WLL

The Y-SUB is an actively driven cardioid subwoofer powered by a single amplifier channel. It houses two long excursion neodymium drivers in an integrated cardioid setup, an 18 1D driver in a bass-reflex chamber facing to the front and a 12 1D driver in a two chamber bandpass design radiating towards the rear. The cardioid dispersion pattern resulting from this arrangement avoids the distribution of energy behind the system, providing the greatest accuracy of low frequency reproduction and reducing the energy dispersed into unwanted areas. The Y-SUB is fitted with three point rigging hardware and can be flown in a column of purely Y subwoofers, at the top of a Y array or used in a ground stacked setup. The cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam, whilst the side panels incorporate two handles with four wheels mounted to the rear. An optional transport lid protects the front of the subwoofer during transit.

The compact, 2-way passive Y10P loudspeaker features two 8inch drivers in a dipole arrangement with a 1.4inch compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 110deg horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40deg. The horn can be rotated by 90deg to enable horizontal orientation. The Y10P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d and b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

The compact, 2-way passive Y7P loudspeaker features two 8inch drivers in a dipole arrangement with a 1.4inch compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75deg horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40deg. The horn can be rotated by 90deg to enable horizontal orientation. The Y7P provides a broad variety of deployment possibilities, especially when used as a stand-alone full range system, or combined with other elements from the Y-Series, either ground stacked or flown. The loudspeaker cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill backed by an acoustically transparent foam. The cabinet incorporates a pair of handles whilst M10 threaded inserts are provided for attaching d and b rigging hardware. Additionally, two further M10 sockets accept the 8mm load pin to expand the mounting options.

d&b Y8 Line Array Element

d&b Y8 line array ready to hire from IPS. Uaually supplied in four way tour carts/dollys, these 80 degree dispersion boxes are the middle size offering from IPS. We also stock the smaller T10 series, and the larger V series too. The Y8 can be hire as individual cabinets, or as a full system including amplifiers, cabling and much more.

Y8 Technical Specification:

The compact Y8 loudspeaker is designed for use in vertical columns to form the d&b Y8 Line Array System. The 2-way passive design features two 8inch drivers in a dipole arrangement and a centrally mounted 1.4inch compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 80deg horizontal directivity controlled down to 500 Hz. The mechanical and acoustical design enables vertical arrays of up to twenty four loudspeakers with vertical splay angles from 0deg to 14deg with a 1deg resolution. Users can deploy the system in columns of purely Y8 loudspeakers or combine it with Y12 (not an IPS stock item) and/or Y-SUB cabinets.

Audio experts d&b construct the loudspeaker cabinet from marine plywood and apply an impact- and weather-protected PCP (Polyurea Cabinet Protection) finish. A rigid metal grill backed by acoustically transparent foam protects the front of the loudspeaker cabinet. Each side panel incorporates three point rigging hardware integrated into the loudspeaker enclosure. This is plus a handle, while two additional recessed grips are provided at the rear.  Check out full product details here on the d&b website.

Amplifier Options & Cabling

IPS hire stock Y8 cabinets are fitted with speakON NL4 connectors.

d&b Y8 Line Rigging

IPS have a range of rigging options for hire for the Y8. Options inclue the d&b Y8 z5390 Flying Frame and the d&b Z5396Y Base plate/stack adapter.

Digital Single Phono – Phono

DPA 4099 10 Way Instrument Mic Kit Hire

This is a great microphone kit for an orchestra. Based around the supercardioid 4099 microphone from DPA, this kit includes a selection of innovative mounts. Popular with both musicians and engineers, the high quality capsules deliver a transparent and detailed sound. The kit includes a range of instruments including specific mounts for Violin, Guitar, Cello, Bass, Saxophone and Trumpet. Also included are some universal clamps and stand mounts for other applications – it is a very versatile selection.

All mics are phantom powered using the included DPA XLR adaptor.

Kit contains:
10x DPA 4099 Instrument Microphone Loud SPL with collar
10x DPA Mic Bag Small
1x DPA Hard Zipped Mic Case
10x DPA 6ft Extension Cable CM1618B00
8x DPA Violin Clip VC4099
4x DPA Guitar Clip GC4099
2x DPA Cello Clip CC4099
2x DPA Bass Clip BC4099
2x DPA Piano Clip PC4099
2x DPA Sax Clip STC4099
2x DPA Universal Clip UC4099
2x DPA Clamp Mount CM4099
1x DPA Stand Mount SM4099
10x DPA XLR Adapter With Belt Clip DAD6001-BC
1x DPA 4099 10 Way Peli Case

Details and spec from DPA here.

IPS also have a smaller 4-way kit in hire stock too, along with a wide range of other microphones and audio accessories.

DPA 4099 4 way Touring Mic Kit including;
4x DPA 4099 Instrument Microphone Loud SPL with collar
4x DPA Mic Bag Small
1x DPA Hard Zipped Mic Case
4x DPA 6ft Extension Cable CM1618B00
4x DPA Violin Clip VC4099
1x DPA Guitar Clip GC4099
2x DPA Cello Clip CC4099
1x DPA Bass Clip BC4099
2x DPA Piano Clip PC4099
4x DPA XLR Adapter With Belt Clip DAD6001-BC
1x DPA 4099 4 Way Peli Case

DPA d:fine 66 Headset Mic Beige (Microdot)

An adapter that connects DPA headset microphones, DPA lavalier microphones as well as DPA instrument microphones to Shure, TOA, PGX1 and Line 6 wireless systems.

An adapter that connects DPA headset microphones, DPA lavalier microphones as well as DPA instrument microphones to Sennheiser Evolution, X2 Digital Wireless, Audio Ltd. En2 TX wireless systems.

The adapter comes with an original DPA MicroDot to Mini-Jack Connector (with thread). It is also available as a fixed connector.

Insert Loom 4-Way 13 6.35mm Jack Balanced – Twin XLR

Insert Loom 8-Way 13 6.35mm Jack Balanced – Twin XLR

The PCBB3 eliminates hum problems when connecting audio from your presentation PC. It is completely passive and bi-directional.

Hum can happen anywhere, power supplies, fluorescent lights, other equipment 13 all can cause noise that is picked up by your audio input cables.
Being completely passive (no batteries or external power required) and bi-directional, the PC Balance Box can match unbalanced and balanced audio sources, line to mic levels, stereo and mono signals, and troubleshoot hum problems 13 all in one versatile and rugged unit.
The PC Balance Box is the simplest way to interface unbalanced computer or consumer audio signals to balanced AV sound systems. The inputs and outputs are completely isolated in either direction and by using the 18Ground Lift 19 feature where required, hum problems can be easily cured.

Jack – NL4 Speakon Adaptor

Jack – XLRF Short Adaptor

Jack – XLRM Short Adaptor

Jack Mono – RCA Phono Twin Adaptor

Connecting rod for satellite systems. With spring-loaded
locking screw and safety bolt. Steel tubing.

Worldwide accepted: the speaker stand 214/6 12 robust and sturdy. All clamps are high quality zinc die-cast. The leg construction and large fixed foot end caps enhance safety and stability. Other features are the pull-out guard for the extension tube, the integral anti-shock component and comfortable height adjustment with spring-loaded bolt and locking screw. Comes with a mounting aid on the extension rod.

Two easy-to-carry speaker stands made of high quality aluminum in a carrying case. Fiberglass-reinforced fittings and an additional safety pin ensure stable support for the speakers. The height and feet adjust by an easy-to-use clamping lever.

Sound-absorbing cast-iron base with black powder-coated
screw-in rod, 3/8″” thread.

K&M 237 Table Clamp Microphone Holder

Universal microphone holder suitable for many applications.
The microphone can be mounted vertically or at an angle of
90deg. In addition the hexagonal rod can also be attached
horizontally or vertically to the table clamp. The clamping
width of 0 to 48 mm allows the clamp to be attached to a wide
variety of surfaces. Its stable metal construction with high
quality plastic inserts guarantees secure and strong hold. The
cleverly shaped clamping parts allow the clamp to be used on
smooth surfaces and round-shaped tubes.

Steel tube combination for 2 speakers, for tube diameter of 35 mm.

Suitable for all K and M speaker stands, tube-diameter 35 mm. With threaded bolt M8 x 18 mm and a large, comfortable handknob

A decorative space saving speaker stand. The heavy cast iron plate with a relatively small diameter requires little space. The
tried-and-tested spring-loaded bolt with locking screw makes height adjustment easy and safe. The stand has a maximum pull-out
height of 1800 mm and is suitable for speakers with a maximum weight of 30 kg. The integrated mounting aid simplifies mounting the
loud speaker cabinets.

K&M Lightweight Round Base Mic Stand – 835-1535mm

K&M Lightweight Round Base Mic Stand – 965-1660mm

K&M Round Cast Base Mic Stand – 965-1660mm

L’Acoustics ArcS Bump Bar (BUMP3)

L’Acoustics ArcS Flying Frame (ARCBUMP)

L’Acoustics ArcS Link bar (ArcOUPL)

Active 2-way loudspeaker meeting Wavefront Sculpture Technology Criteria

The L-ACOUSTICS SB218 is
the companion subwoofer for
V-DOSC or ARCS and
features two, front-loaded
18-inch transducers loaded
in an optimally-sized and tuned
vented enclosure. With power
handling capacity of 1100 Wrms
(4400 Wpeak) and response to
25 Hz, the SB218 is ideal for
applications requiring maximum
low frequency extension and
impact.
The SB218 provides unparalleled low end punch and bass
articulation combined with high
power handling and efficiency.
Due to its compact design and
critically damped tuning, multiple
SB218 enclosures couple
effectively while providing the
bass definition and musicality
that only a front loaded subwoofer
can provide

Full-range high efficiency loudspeaker.
?9F Wired microphone only.
?9F Can be easily carried via the built-in handle, shoulder
strap, or mounted on a microphone stand.
?9F Each audio source has an individual volume control.

NL2 Speakon Cable 2×2.5mm 10m

NL2 Speakon Cable 2×2.5mm 20m

NL2 Speakon Cable 2×2.5mm 2m

NL2 Speakon Cable 2×2.5mm 30m

NL2 Speakon Cable 2×2.5mm 5m

NL4 – 2 x NL2 (1+/- and 2+/-)

NL4 2 way Splitter Box

NL4 Pin Swap Adaptor (1+/- to 2+/-)

NL4 Speakon Barrel Joiner

NL4 Speakon Cable 4×2.5mm 1.5m

NL4 Speakon Cable 4×2.5mm 10m

NL4 Speakon Cable 4×2.5mm 20m

NL4 Speakon Cable 4×2.5mm 30m

NL4 Speakon Cable 4×2.5mm 3m

NL4 Speakon Cable 4×2.5mm 5m

NL4 Speakon Cable 4×2.5mm Link 0.5m

NL4 Speakon Fan In Socapex F – 4 x NL4

NL4 Speakon Fan Out Socapex M – 4 x NL4

NL4T 0.5m Speakon Adaptor Male – Male 4mm

NL4T Speakon Cable 4x4mm F-M 10m

NL4T Speakon Cable 4x4mm F-M 1m

NL4T Speakon Cable 4x4mm F-M 20m

NL4T Speakon Cable 4x4mm F-M 5m

NL8 – 2x NL2 Speakon Adaptor

NL8 Speakon Barrel Joiner

NL8T Female – NL4T Male 4 Way Speakon Breakout

NL8T Speakon Cable 4x4mm F-M 20m

NL8T Speakon Cable 4x4mm F-M 30m

The CDJ-2000NXS2 inherits all the best features from its predecessor 13 the CDJ-2000NXS 13 and takes a giant leap forward. We’ve added a larger, multicolour touch screen with a Qwerty keyboard and search filters to help you select tracks faster. 2 banks of 4 Hot Cues give you more creative freedom, while a 96 kHz/24-bit sound card and support for FLAC/Apple Lossless Audio (ALAC) means you can play with higher resolution

Enhance your creative power with our evolved flagship multi player, the CDJ-3000. This robust unit is powered by a new MPU and packed with specially developed high-quality components and innovative features.

The 4-channel DJM-A9 raises the bar for club standard mixers 13 boasting huge upgrades compared to its predecessor, the DJM-900NXS2 13 with stunningly clear sound quality, enhanced playability and connectivity, and a host of new features to help you take your performances to the next level. The DJM-A9 has also been improved as a musical instrument for more emotional and dynamic performances, while retaining the functions and layout that have become club standards.

Take your performance to new heights with the DJM-900NXS2, which features our first ever 64-bit mixing processor for a warmer, more nuanced sound. We 19ve fine-tuned the EQ and fader curves and enhanced the FX controls to give you even more creative choice. Plus the versatile DJM-900NXS2 has an independent Send/Return, 4 phono inputs and 2 USB ports 13 giving you flexibility to set it up your way.

The V Series powered loudspeakers delivers absolute value in terms of performance, engineering and design. These ultra-portable speakers combine, in carefully engineered and light-weight cabinets, the clearest and most accurate PROEL sound with Class D amplifier technology and Switch Mode Power Supply, offering an unbeatable PA solution at its price point. All the three models feature an extremely efficient amplifier module capable of delivering 600 W of robust power to the transducers. Thanks to the use of SMPS technology, this power comes in an ultra-lightweight package, making the V models the most portable PROEL speakers ever. The power module is hosted in a fully sealed aluminum box, which provides protection, perfect insulation of the cabinet from the outside and extremely efficient cooling. Thanks to the carefully selected speakers and to the sophisticated active electronics, including dual CLIP LIMITERS for an undistorted sound even at the loudest level, the sound of the V Series has been precisely tuned in every details, in order to provide unheard performance in this price range. The V series cabinets, expression of the most advanced Italian design, include a super-comfortable luggage-style top handle for an effortless portability. The slanted shape allows the V speakers to be laid on their side and used also as stage monitors.

At the heart of the design are two high performance Eclipse ET-DB2 transformers. These deliver 20Hz to 20kHz performance with less than 1.5dB deviation above 18kHz and are able to withstand tremendous signal levels without distortion. Unlike active circuits that overload when the signal exceeds the rail voltage, transformers saturate. This creates a pleasing effect that naturally rounds out the tone, acting like a subtle limiter which is particularly advantageous when interfacing the ProD2 with digital pianos, samplers and drum machines that can produce excessive dynamics. Transformers are particularly adept at eliminating hum and buzz caused by ground loops.

RAT Opera Conductors Music Stand

Double the standard opera stand width distinguishes this RAT Opera Conductors Music Stand from the classic option. Designed with the orchestra pit in mind, the classic RAT opera conductors music stand was first produced in 1976.  This stand is still one of the only music stands to feature an integral double width light. The design positions the light output at the perfect distance from the music tray and controls it so it falls only on the score. Friction locks keep the light arm exactly where you set it.

Designed with ergonomics and audio clarity in mind, the classic wire tray has a neutral acoustic effect in the orchestra pit. The off-centre stem and L shape base allow the musician to get closer to the stand and saves space in the pit. The steel stem is strong and rigid and has a thumb screw for height locking. Hooks along the stem manage light cables and eliminate excess cable trailing around the floor.

The solid steel base gives added stability. Rubber feet ensure 6-point contact on uneven surfaces, whilst protecting the floor and preventing clatter. The unique base shape allows stands to nest close together for compact storage.

Each stand includes a trailing power cable for the light. This is terminatated with a 13A mains plug.

IPS have enough stands in stock for an orchestra, and the range also includes the smaller Opera Music Stand option. All ready to hire now.

RAT Opera Music Stand

Designed with the orchestra pit in mind, the classic RAT opera music stand was first produced in 1976.  This stand is still one of the only music stands to feature an integral light. The design positions the light output at the perfect distance from the music tray and controls it so it falls only on the score. Friction locks keep the light arm exactly where you set it.

Designed with ergonomics and audio clarity in mind, the classic wire tray has a neutral acoustic effect in the orchestra pit. The off-centre stem and L shape base allow the musician to get closer to the stand and saves space in the pit. The steel stem is strong and rigid and has a thumb screw for height locking. Hooks along the stem manage light cables and eliminate excess cable trailing around the floor.

The solid steel base gives added stability. Rubber feet ensure 3-point contact on uneven surfaces, whilst protecting the floor and preventing clatter. The unique base shape allows stands to nest close together for compact storage.

Each stand includes a trailing power cable for the light. This is terminatated with a 13A mains plug.

IPS have enough stands in stock for an orchestra, and the range also includes the larger Conductors Music Stand option. All ready to hire now.

RCA Phono – RCA Phono Twin

HD 12-A mk5 active speaker boosts performance with a high-power professional 12″ woofer and a 1.4″ HF driver, a 1400W 2ch Class-D amplifier, and innovative FiRPHASE and Bass Motion Control processing. Vocals are natural, the sound is clear at long distances, SPL power is stable at very high levels. The strength of HD series speakers comes from decades of experience building gear for the touring industry, equipping this compact cabinet with power and reliability expected for life on the road. Elegantly designed, the lightweight polypropylene cabinet with internal reinforcement offers maximum strength. The speaker also includes a steel pole mount, threaded inserts for rigging, and rubber handgrips. D-LINE offers working DJs and musicians professional sound designed with music in mind.

RF Tall Antenna Stand Kit

Sennheiser 3.5mm Mini Jack – XLRM

Compact dynamic cardioid instrument microphone that is compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose.

The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.

Dynamic cardioid microphone that projects well and cuts through high volumes on stage. Intended for home recording, semi-pro studios and live sound.

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule. Limited to the US only: Industry leading 10 year warranty! All parts and labor covered.

Sennheiser E904

Sennheiser E906

Dynamic super-cardioid vocal microphone with a narrower pick-up pattern. Rich in detail, the ideal choice when the vocals really have to cut through.

The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year.

Robust bodypack receiver delivering clarity along the whole frequency spectrum for daily use on stage

Robust bodypack receiver delivering clarity along the whole frequency spectrum for daily use on stage with evolution wireless G4 In Ear Monitoring systems.

Bodypack receiver for in-ear monitoring. A complete package, featuring adaptive diversity, intuitive menu navigation with highly visible backlit graphic display, switchable HiBoost, and a multi-level limiter.

The most-trusted wireless monitoring system gets even better. With upgraded features, this bodypack receiver sets the standard by which all other monitoring systems will be judged. For example, the compact receiver features adaptive diversity for super-reliable reception. The headphone cable is utilized as a second antenna to banish audio dropouts. Operating the EK 300 IEM G3 is also easy due to its intuitive menu navigation and highly-visible backlit graphic display. A switchable Hi Boost and a multi-level limiter complete the package. After the performance, the entire bodypack receiver can simply be placed in an optional charging station to charge the optional rechargeable battery.

Sennheiser EW G4 IEM 8 Way Rack

Sennheiser EW-DX 12 Way Radio Mic Rack Kit

The IPS Sennheiser EW-DX RF 12 Way Rack Kit is a digital radio mic system. The kit consists of a receiver rack containing the following:

• 6x Sennheiser EW-DX Dual Receiver (S1-10) with PSU
• 2x Sennheiser ASA EW-DX Active Antenna Splitter
• 2x Sennheiser A 1031-U Passive Omni-directional Paddle Antenna
• 2x 5m RF Antenna cables and 2x K&M 240/5 Antenna Holder/brackets
• 1x 12 Way 5m XLR Audio cable loom
• A choice of twelve microphones as below

The kit includes twelve microphone transmitters to suit your event requirement. They can either be all the same or a mixture of different types. The choices are as follows:

• Sennheiser EW-DX SKM Series Handheld E845 Microphone with stand clip
• Sennheiser EW-DX SK Series Belt Pack with Sennheiser ME2 US Lapel Microphone. (Sometimes also called a tie clip or Lavalier mic)

Further options include a headset microphone for use with the belt pack. We offer a standard Theatrical Headset mic, or a premium DPA mic choice. Please note that to use the DPA option, you’ll also need a 3.5mm Sennheiser to microdot adaptor.

Advanced Features

The EW‑DX is a digital radio mic system that features an extended 88 MHz switching bandwidth and delivers intermodulation‑free operation across multiple channels with secure AES‑256 digital encryption. These compact half‑rack dual receivers pair with Evolution Wireless Digital handheld and bodypack transmitters. They deliver twice the channel count within the same footprint as the previous generation of Sennheiser radio mics, which have formed the backbone of the IPS radio mic range for many years.
Although the models we stock lack Dante connectivity, they offer Ethernet control via Sennheiser Control Cockpit or Wireless System Manager. You can also use the Ethernet connection to create a redundant power supply through PoE.

The AutoScan feature quickly scans the environment and deploys frequencies with equidistant channel spacing, even for users without RF expertise. The units also include a Link Quality Indicator (LQI) that displays link quality independently of RF levels. Audio outputs are available on the rear via balanced XLR or unbalanced TRS jack, and a convenient local headphone output sits on the front panel.

For a more in depth description of the features, you can find full details on the sennheiser website here.

Ready to use

The Sennheiser EW-DX RF 12 Way Kit is supplied from IPS in a ‘rack in a box’ style flight case. Each transmitter needs 2xAA Batteries to operate. These are not included within the hire cost but can be purchased from IPS. Just let us know how many you need when you are placing your order.

If you need more microphone systems, we also offer 2 way, 4 way and 8 way kits. The kits are supplied pre-configured to get you up and running quickly onsite.

Sennheiser EW-DX 2 Way Radio Mic Kit

The IPS Sennheiser EW-DX RF 2 Way Kit is a digital radio mic system. The kit consists of a Sennheiser EW-DX Dual Receiver (S1-10) with PSU, 2x Omnidirectional stick antennas, 2x XLR Audio cables and a choice of two microphones. The kit includes two microphones can be selected to suit your event requirement. They can either be both the same or two different types. The choices are as follows:

• Sennheiser EW-DX SKM Series Handheld E845 Microphone with stand clip
• Sennheiser EW-DX SK Series Belt Pack with Sennheiser ME2 US Lapel Microphone. (Sometimes also called a tie clip or Lavalier mic)

Further options include a headset microphone for use with the belt pack. We offer a standard Theatrical Headset mic, or a premium DPA mic choice. Please note that the DPA option must be connected via a 3.5mm Sennheiser to microdot adaptor.

Advanced Features

The EW-DX is a digital radio mic system. Featuring extended 88 MHz switching bandwidth, intermodulation-free operation for multiple channels with secure AES-256 digital encryption. These compact half-rack dual receivers can be used with Evolution Wireless Digital handheld and bodypack transmitters. They pack twice the channel count in the same footprint as the previous generation of Sennheiser radio mics that have been the backbone of the IPS radio mic range for many years now. Whilst the models we stock lack Dante connectivity, they do offer ethernet control options via Sennheiser Control Cockpit or Wireless System Manager. The ethernet connection can also be used to create a redundant power supply using POE.

An AutoScan-feature quickly scans your environment and deploys frequencies with equidistant channel spacing – even without RF knowledge. They also feature a Link Quality Indicator (LQI) showing the quality of the links separate to the RF levels. Audio outputs are via balanced XLR or unbalanced TRS jack to the rear, and handy local headphone output is included on the front of the unit.

For a more in depth description of the features, you can find full details on the sennheiser website here.

Ready to use

The Sennheiser EW-DX RF 2 Way Kit is supplied from IPS in a small briefcase style flight case. Each transmitter needs 2xAA Batteries to operate. These are not included within the hire cost but can be purchased from IPS. Just let us know how many you need when you are placing your order.

If you need more microphone systems, we also offer 4 way, 8 way and 12 way kits. The kits are supplied pre-configured to get you up and running quickly onsite.

Sennheiser EW-DX 4 Way Radio Mic Rack Kit

The IPS Sennheiser EW-DX RF 4 Way Rack Kit is a digital radio mic system. The kit consists of a receiver rack containing the following:

• 2x Sennheiser EW-DX Dual Receiver (S1-10) with PSU
• 1x Sennheiser ASA EW-DX Active Antenna Splitter
• 2x Sennheiser A 1031-U Passive Omni-directional Paddle Antenna
• 2x 5m RF Antenna cables and 2x K&M 240/5 Antenna Holder/brackets
• 1x 4 Way XLR Audio cables loom
• A choice of four microphones as below

The kit includes four microphone transmitters to suit your event requirement. They can either be all the same or a mixture of different types. The choices are as follows:

• Sennheiser EW-DX SKM Series Handheld E845 Microphone with stand clip
• Sennheiser EW-DX SK Series Belt Pack with Sennheiser ME2 US Lapel Microphone. (Sometimes also called a tie clip or Lavalier mic)

Further options include a headset microphone for use with the belt pack. We offer a standard Theatrical Headset mic, or a premium DPA mic choice. Please note that to use the DPA option, you’ll also need a 3.5mm Sennheiser to microdot adaptor.

Advanced Features

The EW‑DX is a digital radio mic system that features an extended 88 MHz switching bandwidth and delivers intermodulation‑free operation across multiple channels with secure AES‑256 digital encryption. These compact half‑rack dual receivers pair with Evolution Wireless Digital handheld and bodypack transmitters. They deliver twice the channel count within the same footprint as the previous generation of Sennheiser radio mics, which have formed the backbone of the IPS radio mic range for many years.
Although the models we stock lack Dante connectivity, they offer Ethernet control via Sennheiser Control Cockpit or Wireless System Manager. You can also use the Ethernet connection to create a redundant power supply through PoE.

The AutoScan feature quickly scans the environment and deploys frequencies with equidistant channel spacing, even for users without RF expertise. The units also include a Link Quality Indicator (LQI) that displays link quality independently of RF levels. Audio outputs are available on the rear via balanced XLR or unbalanced TRS jack, and a convenient local headphone output sits on the front panel.

For a more in depth description of the features, you can find full details on the sennheiser website here.

Ready to use

The Sennheiser EW-DX RF 4 Way Kit is supplied from IPS in a ‘rack in a box’ style flight case. Each transmitter needs 2xAA Batteries to operate. These are not included within the hire cost but can be purchased from IPS. Just let us know how many you need when you are placing your order.

If you need more microphone systems, we also offer 2 way, 8 way and 12 way kits. The kits are supplied pre-configured to get you up and running quickly onsite.

Sennheiser EW-DX 8 Way Radio Mic Rack Kit

The IPS Sennheiser EW-DX RF 8 Way Rack Kit is a digital radio mic system. The kit consists of a receiver rack containing the following:

• 4x Sennheiser EW-DX Dual Receiver (S1-10) with PSU
• 1x Sennheiser ASA EW-DX Active Antenna Splitter
• 2x Sennheiser A 1031-U Passive Omni-directional Paddle Antenna
• 2x 5m RF Antenna cables and 2x K&M 240/5 Antenna Holder/brackets
• 1x 8 Way 5m XLR Audio cable loom
• A choice of eight microphones as below

The kit includes eight microphone transmitters to suit your event requirement. They can either be all the same or a mixture of different types. The choices are as follows:

• Sennheiser EW-DX SKM Series Handheld E845 Microphone with stand clip
• Sennheiser EW-DX SK Series Belt Pack with Sennheiser ME2 US Lapel Microphone. (Sometimes also called a tie clip or Lavalier mic)

Further options include a headset microphone for use with the belt pack. We offer a standard Theatrical Headset mic, or a premium DPA mic choice. Please note that to use the DPA option, you’ll also need a 3.5mm Sennheiser to microdot adaptor.

Advanced Features

The EW‑DX is a digital radio mic system that features an extended 88 MHz switching bandwidth and delivers intermodulation‑free operation across multiple channels with secure AES‑256 digital encryption. These compact half‑rack dual receivers pair with Evolution Wireless Digital handheld and bodypack transmitters. They deliver twice the channel count within the same footprint as the previous generation of Sennheiser radio mics, which have formed the backbone of the IPS radio mic range for many years.
Although the models we stock lack Dante connectivity, they offer Ethernet control via Sennheiser Control Cockpit or Wireless System Manager. You can also use the Ethernet connection to create a redundant power supply through PoE.

The AutoScan feature quickly scans the environment and deploys frequencies with equidistant channel spacing, even for users without RF expertise. The units also include a Link Quality Indicator (LQI) that displays link quality independently of RF levels. Audio outputs are available on the rear via balanced XLR or unbalanced TRS jack, and a convenient local headphone output sits on the front panel.

For a more in depth description of the features, you can find full details on the sennheiser website here.

Ready to use

The Sennheiser EW-DX RF 8 Way Kit is supplied from IPS in a ‘rack in a box’ style flight case. Each transmitter needs 2xAA Batteries to operate. These are not included within the hire cost but can be purchased from IPS. Just let us know how many you need when you are placing your order.

If you need more microphone systems, we also offer 2 way, 4 way and 12 way kits. The kits are supplied pre-configured to get you up and running quickly onsite.

Sennheiser EW300 G3 IEM 2 Way Rack

In-ear monitoring set: ear-canal phones with various ear-fitting pads, adaptive diversity receiver for high reception quality. Remote-controllable via “”Wireless Systems Manager””.

Hear better, perform better. Sennheiser monitoring systems are trusted by professionals worldwide and now are better than ever. Featuring an adaptive-diversity receiver, the receiver pack uses the headphone cable as a secondary antenna for flawless reception. Ear-canal phones, with various ear-fitting pads for an individual fit, reproduce the signal from the adaptive diversity receiver precisely and faithfully. Pass-through outputs allow easy splitting of the input signal to travel to other devices. Lastly, the entire set can be monitored and remotely controlled with Sennheiser’s Wireless Systems Manager software due to the built-in Ethernet port on the stereo transmitter.

In-ear monitoring set: ear-canal phones with various ear-fitting pads, adaptive diversity receiver for high reception quality. Remote-controllable via “”Wireless Systems Manager””.

Hear better, perform better. Sennheiser monitoring systems are trusted by professionals worldwide and now are better than ever. Featuring an adaptive-diversity receiver, the receiver pack uses the headphone cable as a secondary antenna for flawless reception. Ear-canal phones, with various ear-fitting pads for an individual fit, reproduce the signal from the adaptive diversity receiver precisely and faithfully. Pass-through outputs allow easy splitting of the input signal to travel to other devices. Lastly, the entire set can be monitored and remotely controlled with Sennheiser’s Wireless Systems Manager software due to the built-in Ethernet port on the stereo transmitter.

Sennheiser EW300 Series Aerobic Head Mic

The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording
applications. Its flat frequency response and low self noise provide unerring performance in demanding environments. A tight supercardioid pattern
insures high gain-before-feedback and maximum isolation from other sound sources

Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.

What is the Beta 52A best suited to?
Its ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.

What are the characteristics of the Beta 52A?
The supercardioidcardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix.

The Beta 52A is available as part of the DMK57-52 Drum Mic Kit, which includes three SM57 Microphones, one Beta 52A Microphone, three A56D Drum-mounting Systems, and a Lightweight and Durable Carrying Case.

Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.

What is the Beta 57A best suited to?
It 19s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.

What are the characteristics of the Beta 57A?
It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off 13axis tone coloration. The hardened steel mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.

Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA 58A has been through the ringer, pushing voice to the limit on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.

Shure Beta 91

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

What is the Beta 91A best suited to-
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.

What are the characteristics of the Beta 91A-
The Beta 91A is a half cardioid condenser boundary microphone. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL).

What is the difference between the Beta 91A and the Beta 91-
The Beta 91A features a new and updated microphone capsule. The new capsule will result in a more natural high frequency response than the Beta 91.

Are there any other Shure Kick Drum microphones-
The Beta 52A is a super cardioid microphone and is also suited to kick drums. With the Beta 52A you can expect even more low end.

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

What is the Beta 91A best suited to-
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.

What are the characteristics of the Beta 91A-
The Beta 91A is a half cardioid condenser boundary microphone. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL).

What is the difference between the Beta 91A and the Beta 91-
The Beta 91A features a new and updated microphone capsule. The new capsule will result in a more natural high frequency response than the Beta 91.

Are there any other Shure Kick Drum microphones-
The Beta 52A is a super cardioid microphone and is also suited to kick drums. With the Beta 52A you can expect even more low end.

Shure Beta 98 D/S WA304 4-pin Mini Connector Kit

Shure Beta 98 H/C Sennheiser 3.5mm Jack

Shure Beta 98 H/CW WA304 Mic 4-pin Mini Connector

Shure C606 Dynamic Microphone – The Shure C606 is a high quality entry level vocal microphone at a great price dynamic cardioid microphone.

Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.

Shure MX150B/C / UL4 Cardioid Lapel Mic Complete

The MX412 delivers the responsiveness to everything you want them to hear 14 and controls what you don 19t. It 19s great sound and reliable performance, without noise or distractions.

Shure PG58 c/w Switch

A snare crack. A power chord. A wailing sax. The potent notes that blast from your instrument connect to the crowd on a visceral level. And the sound needs a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house.

What is the SM57 best suited to?
It 19s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world.

How does it sound?
The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.

The SM58 is known as the world 19s most popular performance microphone. It is an instantly recognisable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents to Podcasters, Poets and MCs. It is also a very effective microphone for live streaming and podcasting. Connect the SM58 to either an MVi, an X2U, or your audio interface of choice, and you 19ve got a very affordable and durable kit for your live stream.

What is the SM58 best suited to?
It 19s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimising background noise. It is also very popular with DJs and presenters in clubs and small and large live venues.

Can it withstand the rigours of touring?
Durable construction, a proven shock-mount system, and a steel mesh grille ensure that the SM58 will perform consistently, outdoors or indoors, even with rough handling.

The SM58 is known as the world 19s most popular performance microphone. It is an instantly recognisable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents to Podcasters, Poets and MCs. It is also a very effective microphone for live streaming and podcasting. Connect the SM58 to either an MVi, an X2U, or your audio interface of choice, and you 19ve got a very affordable and durable kit for your live stream.

What is the SM58 best suited to?
It 19s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimising background noise. It is also very popular with DJs and presenters in clubs and small and large live venues.

Can it withstand the rigours of touring?
Durable construction, a proven shock-mount system, and a steel mesh grille ensure that the SM58 will perform consistently, outdoors or indoors, even with rough handling.

Shure SM91 Microphone

Shure UR1 – Belt Pack Transmitter Ch. 38 K4E (606-666MHz)

Shure UR1 – Belt Pack Transmitter J5E (578 – 638MHz)

Shure UR2 – Handheld Transmitter Ch. 38 K4E (606-666MHz)

Shure UR2 – Handheld Transmitter J5E (578-638MHz)

Shure UR4D UHF Dual Receiver Ch. 38 K4E (606-666MHz)

Shure UR4D+ UHF Dual Receiver J5E (578 – 638MHz)

Shure W93 Miniature Omni Lapel Mic

Shure WA304 4-pin Mini Connector > 1/4″ Jack

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range.
The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company 19s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company 19s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.
A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Stereo Jack – Twin XLR Insert Cable

Stereo Jack to 2x Mono Jack Adaptor

Technics 1210 MK5

Tecpro Beacon

Tecpro Masterstation

Tecpro Power Supply

Tecpro/ Altair Double Muff Headset

Tecpro/ Altair Single Circuit Belt pack

Tecpro/ Altair Single Muff Headset

Theatrical Headset Mic (Beige)

Twin Mono Jack – Twin XLRM Adaptor

Twin XLRF – Twin Mono Jack Adaptor

VDM 12-way Veam Multicore M-F Cable 10m

VDM 12-way Veam Multicore M-F Cable 20m

VDM 12-way Veam Multicore M-F Cable 5m

XLR Z Split (2x XLRM to 2x XLRF)

XLRF – 2x XLRM Y Split

XLRF – Jack Stereo Adaptor Cable 5m

XLRF – NL4 Speakon Adaptor

XLRF – RCA Phono Twin Adaptor

XLRF – XLRF Adaptor 0.5m

XLRF – XLRF Moulded Adaptor

XLRM – Jack Stereo Adaptor Cable 5m

XLRM – RCA Phono Twin Adaptor

XLRM – XLRM Adaptor 0.5m

XLRM – XLRM Moulded Adaptor

Yamaha CL5 64 Channel Rio Stage Rack 32a I/O

Yamaha CL5-72 Digital Desk

Dante Audio Network Switch

The Yamaha Dante 5x Primary & 5x Secondary Switch Rack 2U is a 2U rack sleeve which contains 2x Yamaha SWR2100P-5G network switches and a connection panel. Quick and easy to deploy, these compact racks offer a plug and play network connection solution for digital audio networks.

Designed for use with IPS Dante network audio systems. The rack is labelled and configured to provide 5x Primary and 5x Secondary network ports via RJ45 etherCON connectors. As there are two physical hardware switches within the rack, a high level of redundancy is offered by this setup.

Dante is a network protocol supported by many different audio and AV manufacturers. It is a true IP based protocol so can co-exist on a shared network infrastructure. This could be either within a managed corporate installation, or within a show control network system also containing lighting and other control traffic.  It is designed to enable uncompressed low-latency multi-channel digital audio over a standard ethernet network using layer 3 IP packets. There is more detail about the protocol, including an online training scheme, on the Audinate website here: https://www.audinate.com/.

Ready to hire now from IPS alongside a full range of Dante enabled audio hardware. The Yamaha Dante 5 port Switch Rack is ideal for use alongside our Yamaha CL5 Digital Mixing Desk with desk rack, and supporting Rio Stagebox Racks which also feature Yamaha switching hardware.

Yamaha MS101 Powered Speaker

Yamaha QL1 16ch Digital Desk

Yamaha TF Series digital mixing consoles allow engineers to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With TouchFlow Operation, Yamaha has reimagined the mixing experience: utilizing features like 1-knob Comp/EQ, GainFinder, QuickPro Presets, motorized faders, a multi-touch screen, mobile mixing, and virtual soundcheck the TF Series makes it easy for experienced engineers and newcomers alike to achieve the perfect mix in no time.

In addition, recallable D-PRE studio quality head amps, high performance processors and effects, USB multi-track audio interface, and remote Dante networkable stage box option, the TF series of compact digital mixers will satisfy the most discerning artist or engineer in a wide range of applications.