The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use.

The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look.

Input connectors are both 1/4″” jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout.

The arched case allows cables to run back underneath the unit from the end for neat cable management.

Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems.

The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars.

Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources.

With the ULTRA-DI DI100, you can rest assured that your sound source will reach the console balanced and noise-free. The ultra-versatile DI100 active DI (Direct Injection) box gives you unparalleled functionality, durability and sound at a truly remarkable price. Put the ULTRA-DI DI100 in your signal chain today and discover the authentic sound of your instrument.

Plug into the DI100 19s balanced ? “” TRS or XLR Input, then send a signal to your console via the balanced XLR output. You can even plug your guitar or bass amp 19s speaker output into the DI100, which can handle ratings of up to 3,000 Watts and still deliver a perfect signal. It also features a ? “” LINK jack to send your signal to an on-stage amplifier. The DI100 is equipped to handle 1Chot 1D signals, thanks to its switchable built-in attenuation pad for input levels of up to +50 dB. Also included is a superior ground-lift switch to eliminate ground loop issues. The DI100 also features our highly-acclaimed OT-1 output transformer for the most pristine signal transfer.

An essential tool for every stage and studio, the ULTRA-DI DI100 is wrapped in a rugged, road-proof aluminum case with stackable rubber corners 13 and delivers the exceptional sound your music deserves! Find out how the ultra-affordable DI100 can improve instantly your sound at your nearest BEHRINGER dealer 13 or get yours online today.

The PCBB3 eliminates hum problems when connecting audio from your presentation PC. It is completely passive and bi-directional.

Hum can happen anywhere, power supplies, fluorescent lights, other equipment 13 all can cause noise that is picked up by your audio input cables.
Being completely passive (no batteries or external power required) and bi-directional, the PC Balance Box can match unbalanced and balanced audio sources, line to mic levels, stereo and mono signals, and troubleshoot hum problems 13 all in one versatile and rugged unit.
The PC Balance Box is the simplest way to interface unbalanced computer or consumer audio signals to balanced AV sound systems. The inputs and outputs are completely isolated in either direction and by using the 18Ground Lift 19 feature where required, hum problems can be easily cured.

The C414 XLS multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

The D112 MkII professional dynamic bass drum microphone features a new integrated flexible mount, while retaining all the sonic strengths that have made it’s predecessor the industry-standard. Over the years the D112 has earned a well-deserved reputation as one of the best bass drum microphones ever made, for its high SPL capability, punchy EQ and bulletproof construction. The D112 MkII can handle more than 160 dB SPL without distortion. Its large diaphragm has a very low resonance frequency that delivers a solid and powerful response below 100 Hz. Its authoritative low end is complemented by a narrow-band presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. One of the many reasons artists and sound engineers love the D112 MkII is that it requires no additional EQ to sound just right as soon as you bring up the fader. Further refining its performance, the D112 MkII features an integrated hum-compensation coil that keeps noise to an absolute minimum. In addition to being an exceptional bass drum mic on stage and in the studio, the D112 MkII is an excellent choice for miking electric bass cabinets and trombones.

Audio Technica AT857AMLx Lectern Gooseneck Kit

Authentic 1950’s Style Mic

The Beyerdynamic MPC65 VC is a boundary microphone for use with discussion systems, telephone and video conferencing, sound reinforcement, churches, and situations where multiple microphones need to be open (on) simultaneously.

Compact dynamic cardioid instrument microphone that is compatible with toms, snares, and percussion. Clips-on quickly and easily wherever you choose.

The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.

Dynamic cardioid microphone that projects well and cuts through high volumes on stage. Intended for home recording, semi-pro studios and live sound.

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule. Limited to the US only: Industry leading 10 year warranty! All parts and labor covered.

Drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.

What is the Beta 52A best suited to?
Its ideal for the professional musician looking to mic up their kick drum, bass amp and acoustic bass. It has the quality and durability to be used on stage and in the studio.

What are the characteristics of the Beta 52A?
The supercardioidcardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response with a presence boost at 4kHz to let electric basses and kick drums cut through the mix.

The Beta 52A is available as part of the DMK57-52 Drum Mic Kit, which includes three SM57 Microphones, one Beta 52A Microphone, three A56D Drum-mounting Systems, and a Lightweight and Durable Carrying Case.

Dynamic instrument microphone provides high gain before feedback in demanding environments. It features a steel mesh grille for durability, shock mount to minimize transmission of unwanted noise, and a neodymium magnet for high signal-to-noise ratio.

What is the Beta 57A best suited to?
It 19s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.

What are the characteristics of the Beta 57A?
It has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off 13axis tone coloration. The hardened steel mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.

Big sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA 58A has been through the ringer, pushing voice to the limit on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.

The MX412 delivers the responsiveness to everything you want them to hear 14 and controls what you don 19t. It 19s great sound and reliable performance, without noise or distractions.

A snare crack. A power chord. A wailing sax. The potent notes that blast from your instrument connect to the crowd on a visceral level. And the sound needs a mic that can handle its strength. For every acoustic condition, the SM57 delivers the power of your playing to every fan in the house.

What is the SM57 best suited to?
It 19s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world.

How does it sound?
The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.

The SM58 is known as the world 19s most popular performance microphone. It is an instantly recognisable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents to Podcasters, Poets and MCs. It is also a very effective microphone for live streaming and podcasting. Connect the SM58 to either an MVi, an X2U, or your audio interface of choice, and you 19ve got a very affordable and durable kit for your live stream.

What is the SM58 best suited to?
It 19s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimising background noise. It is also very popular with DJs and presenters in clubs and small and large live venues.

Can it withstand the rigours of touring?
Durable construction, a proven shock-mount system, and a steel mesh grille ensure that the SM58 will perform consistently, outdoors or indoors, even with rough handling.

The SM58 is known as the world 19s most popular performance microphone. It is an instantly recognisable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents to Podcasters, Poets and MCs. It is also a very effective microphone for live streaming and podcasting. Connect the SM58 to either an MVi, an X2U, or your audio interface of choice, and you 19ve got a very affordable and durable kit for your live stream.

What is the SM58 best suited to?
It 19s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimising background noise. It is also very popular with DJs and presenters in clubs and small and large live venues.

Can it withstand the rigours of touring?
Durable construction, a proven shock-mount system, and a steel mesh grille ensure that the SM58 will perform consistently, outdoors or indoors, even with rough handling.

Shure Beta 98 D/S WA304 4-pin Mini Connector Kit

Modular small-diaphragm condenser with cardioid capsule%E2%80%94transparent, focused sound ideal for instruments, ensembles, and live recording.

The AKG SE300%E2%80%AFB + CK91 pairs the SE300B preamp with a CK91 cardioid capsule, part of AKG%E2%80%99s Blue Line series. This modular design provides crisp, natural audio with reliable off-axis rejection via a consistent cardioid polar pattern. Operating from 9%E2%80%9352%E2%80%AFV phantom, the SE300%E2%80%AFB includes a switchable %E2%80%9310%E2%80%AFdB pad and bass-cut filter, maintaining low noise (17%E2%80%AFdB-A) and robust performance. Lightweight and rugged, the system offers expandable flexibility by swapping capsules for various recording needs.

Modular mic system with hypercardioid capsule – designed for focused, precise recording with excellent isolation.

The AKG SE300B + CK93 is a Blue Line modular mic combining the SE300B preamp with the CK93 hypercardioid capsule. It features tight directivity and excellent ambient rejection%E2%80%94great for dialogue, solo instruments, or broadcast. The capsule offers smooth frequency response.

Sennheiser E904

Dynamic super-cardioid vocal microphone with a narrower pick-up pattern. Rich in detail, the ideal choice when the vocals really have to cut through.

The e 945 is a super-cardioid lead vocal stage microphone specially designed to perform under pressure while exhibiting a naturally smooth response. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year.

The Beyerdynamic GST Short Microphone Stand is more heavy duty than your average microphone boom stand. The stand is adjustable from 340mm to 600mm.

The Beyerdynamic GST500 is a tall microphone stand with telescopic boom, 3/8″” thread in a black finish.

Solid and rugged microphone stand with a compact die-cast zinc base. Wide footrest provides more stability and reliability.

Microphone stand (90-165 cm) with telescopic boom (42-72 cm), 3/8″” thread, black

Sound-absorbing cast-iron base with black powder-coated
screw-in rod, 3/8″” thread.

K&M 237 Table Clamp Microphone Holder

Universal microphone holder suitable for many applications.
The microphone can be mounted vertically or at an angle of
90deg. In addition the hexagonal rod can also be attached
horizontally or vertically to the table clamp. The clamping
width of 0 to 48 mm allows the clamp to be attached to a wide
variety of surfaces. Its stable metal construction with high
quality plastic inserts guarantees secure and strong hold. The
cleverly shaped clamping parts allow the clamp to be used on
smooth surfaces and round-shaped tubes.

Cast Base Short Table top Stand

High-performance small diaphragm condenser mic, perfect for cymbals, acoustic instruments, and drum overheads%E2%80%94bright, clear, and lightweight.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.

Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.

Shure SM91 Microphone

Shure Beta 98 H/CW WA304 Mic 4-pin Mini Connector

Shure Beta 98 H/C Sennheiser 3.5mm Jack

Shure PG58 c/w Switch

Modular shotgun mic system%E2%80%94supercardioid capsule for long-range, directional audio capture in film, broadcast, and live environments.

The AKG SE300%E2%80%AFB + CK98 combines the SE300B preamp with the CK98 shotgun capsule, delivering tight supercardioid (shotgun) directivity and low self-noise%E2%80%94perfect for boom, ENG, and stage use. Operating from 9%E2%80%9352%E2%80%AFV phantom power, the preamp supports a %E2%80%9310%E2%80%AFdB pad and bass-cut filter to manage SPL and rumble. The quick-lock Modulock? bayonet ensures fast capsule swaps, making the system agile and adaptable for precision audio capture.

The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM diaphragm for natural, accurate sound reproduction.
The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets, and brass. Transformerless design, low impedance, and balanced output insure that the D2 hypercardioid instrument microphone will perform interference-free.

The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction.
Lightweight, compact, and easy to position, the D6 cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6 19s transformerless design, low impedance, and balanced output allow for interference-free performance.
Designed, machined, assembled, and tested by AUDIX in the USA.

Designed with a cardioid pickup pattern for isolation and feedback control, the i5 all-purpose dynamic instrument microphone is equipped with a VLM diaphragm for natural, accurate sound reproduction. The i5 is used for stage, studio, and broadcast applications and is able to handle SPLs in excess of 140 dB without distortion.
The i5 cardioid microphone can be used to microphone a wide variety of musical instruments, guitars, and bass cabinets as well as vocals and speech. The i5 instrument microphone is sturdy, compact, and easy to position. With a wide frequency response of 50 Hz 13 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ.
Designed, assembled, and tested by AUDIX in the USA.

The Beta 27 side-address condenser microphone is precision engineered for professional sound reinforcement and project studio recording
applications. Its flat frequency response and low self noise provide unerring performance in demanding environments. A tight supercardioid pattern
insures high gain-before-feedback and maximum isolation from other sound sources

Sennheiser E906

At the heart of the design are two high performance Eclipse ET-DB2 transformers. These deliver 20Hz to 20kHz performance with less than 1.5dB deviation above 18kHz and are able to withstand tremendous signal levels without distortion. Unlike active circuits that overload when the signal exceeds the rail voltage, transformers saturate. This creates a pleasing effect that naturally rounds out the tone, acting like a subtle limiter which is particularly advantageous when interfacing the ProD2 with digital pianos, samplers and drum machines that can produce excessive dynamics. Transformers are particularly adept at eliminating hum and buzz caused by ground loops.

Compact condenser mic ideal for vocals, instruments, and live use. Kit includes windscreen, carry case, presence-boost capsule, and interchangeable pattern capsule%E2%80%94versatile for studio or fieldwork.

The AKG C1000%E2%80%AFS Microphone Kit is a robust small-diaphragm condenser microphone system designed for studio, stage, and location recording. It delivers clear, articulated audio across vocals, acoustic instruments, percussion, and even broadcast applications. With dual powering%E2%80%94it runs on phantom power (9%E2%80%9352%E2%80%AFV) or two AA batteries%E2%80%94it%E2%80%99s perfect for mobile use. It features switchable cardioid and hypercardioid patterns, includes a presence boost capsule, low-cut filter, and a -10%E2%80%AFdB pad for handling loud sources. The kit bundles the mic, windscreen, stand adapter, presence-boost and pattern converters, and a hard carry case, making it a versatile, travel-friendly rig ready for any recording scenario.

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

What is the Beta 91A best suited to-
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.

What are the characteristics of the Beta 91A-
The Beta 91A is a half cardioid condenser boundary microphone. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL).

What is the difference between the Beta 91A and the Beta 91-
The Beta 91A features a new and updated microphone capsule. The new capsule will result in a more natural high frequency response than the Beta 91.

Are there any other Shure Kick Drum microphones-
The Beta 52A is a super cardioid microphone and is also suited to kick drums. With the Beta 52A you can expect even more low end.

Shure Beta 91

DPA 4099 4 way Touring Mic Kit including;
4x DPA 4099 Instrument Microphone Loud SPL with collar
4x DPA Mic Bag Small
1x DPA Hard Zipped Mic Case
4x DPA 6ft Extension Cable CM1618B00
4x DPA Violin Clip VC4099
1x DPA Guitar Clip GC4099
2x DPA Cello Clip CC4099
1x DPA Bass Clip BC4099
2x DPA Piano Clip PC4099
4x DPA XLR Adapter With Belt Clip DAD6001-BC
1x DPA 4099 4 Way Peli Case

DPA 4099 10 Way Instrument Mic Kit Hire

This is a great microphone kit for an orchestra. Based around the supercardioid 4099 microphone from DPA, this kit includes a selection of innovative mounts. Popular with both musicians and engineers, the high quality capsules deliver a transparent and detailed sound. The kit includes a range of instruments including specific mounts for Violin, Guitar, Cello, Bass, Saxophone and Trumpet. Also included are some universal clamps and stand mounts for other applications – it is a very versatile selection.

All mics are phantom powered using the included DPA XLR adaptor.

Kit contains:
10x DPA 4099 Instrument Microphone Loud SPL with collar
10x DPA Mic Bag Small
1x DPA Hard Zipped Mic Case
10x DPA 6ft Extension Cable CM1618B00
8x DPA Violin Clip VC4099
4x DPA Guitar Clip GC4099
2x DPA Cello Clip CC4099
2x DPA Bass Clip BC4099
2x DPA Piano Clip PC4099
2x DPA Sax Clip STC4099
2x DPA Universal Clip UC4099
2x DPA Clamp Mount CM4099
1x DPA Stand Mount SM4099
10x DPA XLR Adapter With Belt Clip DAD6001-BC
1x DPA 4099 10 Way Peli Case

Details and spec from DPA here.

IPS also have a smaller 4-way kit in hire stock too, along with a wide range of other microphones and audio accessories.

K&M Lightweight Round Base Mic Stand – 835-1535mm

Adastra Paging Gooseneck Microphone with Chime Base Station

K&M Lightweight Round Base Mic Stand – 965-1660mm

K&M Round Cast Base Mic Stand – 965-1660mm

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

What is the Beta 91A best suited to-
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.

What are the characteristics of the Beta 91A-
The Beta 91A is a half cardioid condenser boundary microphone. You can expect a strong low end response as it is specifically tailored for bass frequency applications, and superior attack and punch for studio quality sound even at extremely high sound pressure levels (SPL).

What is the difference between the Beta 91A and the Beta 91-
The Beta 91A features a new and updated microphone capsule. The new capsule will result in a more natural high frequency response than the Beta 91.

Are there any other Shure Kick Drum microphones-
The Beta 52A is a super cardioid microphone and is also suited to kick drums. With the Beta 52A you can expect even more low end.